Jeffrey Noonan

Lute, theorbo, early guitars

Trained as a classical guitarist, Jeffrey Noonan has played lute, theorbo and early guitars for nearly forty years across the Midwest. Based in St. Louis, he has performed throughout the region with various ensembles including Shakespear’s Bande, Early Music St. Louis, Passione ed Armonia, Kansas City Baroque Consortium, Bourbon Baroque (Louisville), the Madison Early Music Festival (Madison, WI), Ars Antigua (Chicago), and Musik Ekklesia (Indianapolis.) In addition, Jeff has created and directed a number of Early Music ensembles including The Ellenwood Consort, Musicke’s Cordes, and, most recently, Such Sweete Melodie. An in-demand accompanist and continuo player, Jeff performs a varied repertoire ranging from sixteenth-century chanson with solo voice to Handel’s Messiah with the St. Louis Symphony. A recognized expert on the early guitar, Jeff has produced two books and several articles for The Grove Dictionary of American Music/Oxford Music Online on the subject. He recently published an edition of violin sonatas by the 18th-century Italian composer Giovanni Bononcini for A-R Editions. Jeff's most recent research project is an edition of two seventeenth-century Italian song manuscripts he uncovered in the Newberry Library. He has received funding from the National Endowment for the Humanities and in 2015 the Newberry Library awarded Jeff its Cullen Fellowship to research and edit music manuscripts in its collection. In early 2016, the St. Louis Regional Arts Commission presented him with a RAC Artist Fellowship in recognition of his accomplishments in scholarship, pedagogy and performance.

Jeff appears on Musik Ekklesia's Grammy-nominated CD on the Sono Luminus label and can be heard on-line as a soloist and in a variety of ensembles on Ars Antingua's podcast at

http://arsantiguapresents.com/archives/podcasts/

Jeff holds degrees from the University of Notre Dame (A.B.), the Hartt School of Music (B.Mus.) and Washington University in St. Louis (M.Mus., Ph.D.) He has served as adjunct faculty at St. Mary’s College, Indiana/Purdue Universities in Fort Wayne, Andrews University and Washington University in St. Louis. Jeff served on the full-time faculty of Southeast Missouri State University from 1999 to 2015, where he taught upper-level music literature and history courses and directed the classical guitar program. He retired from Southeast as a Professor of Music in 2015.

 

BOOKS/EDITIONS:

Giovanni Bononcini, Twelve Chamber Sonatas (London, 1732), editor, Recent Researches in Music of the Baroque Era (Middleton, Wis.: A-R Editions, 2012)

The Guitar in Late Nineteenth-Century Periodicals, 1882-1933 (Middleton, Wis.: Music Library Association and A-R Editions, 2009)

The Guitar in America: Victorian Parlor to Jazz Age (Jackson, Miss.: University Press of Mississippi, 2008)

 

ARTICLES and REVIEWS:

“Guitar” and “Banjo, Mandolin & Guitar Movement” (article entries), The New Grove Dictionary of American Music, 2nd edn. and Oxford Music On-Line (2013)

“Highbrow, Lowbrow and Middlebrow: An Introduction to America’s Progressive Era Mandolin Orchestra,” Musique, Images, Instruments, No. 12 (2011): 11 – 29.  [Paris, Laboratoire d'organologie et d'iconographie of the Centre national de la recherche scientifique (CNRS)]

“The Guitar in America’s BMG Movement: Culture, Commerce, and Aesthetics in Late 19th-century America,” Soundboard 31/1(2005).

Book Review: Deep Listeners by Judith Becker in Big Muddy (Spring 2005).

 “A Desirable and Fashionable Instrument,” NYlon Review, 2/1 (Fall 2004) [on-line journal of New York City Classical Guitar Society].

 

 PAPERS:

Session Chair: Lute Technique: "Third Annual Conference on Historical Performance: Theory, Practice and Interdisciplinarity," (June 2018) Early Music Institute, Jacobs School of Music, Indiana University, Bloomington, IN. 

"Musicking, Musical Significance and Historical Performance Practice:   Lessons from Christopher Small and Mantle Hood for Early Music Performance," Musicking: Performance, Politics and Personalities (April 2016), University of Oregon, Eugene, OR.

“Calypso, Costa Rica and Cross Disciplinary Pedagogy: Ethnomusicology as a Model of Collaborative Research,” Department of Music Lecture Series, Washington University (February 2010), St. Louis, MO. (co-presentation with Dr. Warren Anderson, Professor of Anthropology, Southeast Missouri State University)

“Calypso, Costa Rica and Cross Disciplinary Learning: Defining and Uniting Disciplines by Modeling Ethnomusicology,” Association for General & Liberal Studies Annual Meeting (October 2009), St. Louis, MO. (co-presentation with Dr. Warren Anderson, Professor of Anthropology, Southeast Missouri State University)

“Image and Likeness—The American Mandolin Orchestra,” Music in Gotham—The 19th-Century Orchestra (January 2008), City University of New York and the New York Philharmonic, New York, NY.

“Before Segovia: How America Re-invented the Guitar,” American Musical Instrument Society (June 2007), Yale University Collection of Musical Instruments, New Haven, CT.

“Plucked Instruments in Baroque Performance,” Graduate Music Colloquium (April 2006), Department of Music, University of Kansas, Lawrence, KS.

“Images of the Guitar in America’s Banjo, Mandolin & Guitar Periodicals,” Society for American Music National Conference (February 2005), Eugene, OR.

“Before Segovia, Johnson and Carter:  The Guitar in America, 1880-1930,” Musicology Lecture Series (October 2004), Department of Music, Washington University in St. Louis, MO. 

"Musical Representation in the Paintings of Hieronymus Bosch," Mid-America College Art Association Conference (1983), St. Louis, MO.

 "Musical Representation in the Paintings of Hieronymus Bosch," Musicology Lecture Series (1983), Department of Music, Washington University in St. Louis, MO.